Paul Weller is commonly known for being in the coolest band of all time (in my opinion), The Jam! He also spent time making great music in The Style Council and now is still a contemporary artist with his solo career at it's peak. Paul Weller is a musical inspiration to me, aswell as this he is my style icon, he is the man who I look at for ideas when buying clothes and when designing clothes. Paul Weller, also known as the 'modfather' has grown up with an obsession for the mod culture and style. This was seen mostly in the Jam where his typical outfit would be a tailored suit and bowling shoes. He has carried this appreciation on throughout his life, changing styles slightly as his music has changed through the times. However, he has still kept the undercurrent of the mod style obvious in his appearance, which can be seen in his sharp edgy clothes and structured hair styles.
"I come from a time when every kid dressed up. Everybody. If you didn't, you wouldn't be able to hang out. It was very tribal. There's nice things in that. It's culture, it's roots for me. Maybe I just never grew up, mate."
"When I was a kid in Woking, every week you went to the football dance, and every week the top kids would be wearing something different. You were constantly trying to catch up with them - which you could never do because, by the time you'd saved up enough to buy the item, they'd moved on to something else. That's the whole Mod thing I suppose."
"This was the late Sixties, early Seventies and we were all post-skinheads - suedeheads. We were little peanuts, too young to be proper skinheads. But those styles permeated down to the kids anyway. The main strand that forged it together was that American-college look, the Brooks Brothers look: the cardigans and sleeveless jumpers and the buttoned-down shirts and the Sta-Prest trousers. That was the common ground. It was a way for people who haven't got much to make a show."
"I can remember original Ben Sherman shirts being around till the early Seventies. I had to really save for my first Ben Sherman. We used to buy Brutus shirts, which were much cheaper - second best. But Ben Shermans were the sought-after item. The first one I ever got was a lemon-yellow one. I must have been 12, 13, and it was a bit too big for me. But being a kid I didn't realise you could take it back to the shop. I wore it till it fitted me."
"It's the aesthetic that sticks in my mind. The colours and the look of things have stayed with me. It meant everything to me. It was a statement of intent. And I thought, wouldn't it be nice to have a Ben Sherman as they used to make 'em 40 years ago, or whatever it was. So I spoke to Ben Sherman about doing my own design, based on how they used to be, as near as dammit anyway. With a few little modern touches. I just did a little sketch, put all the details in: the bigger collar, bit more like a contemporary Italian collar, a few little touches here and there. It's not rocket science."
"That love of detail, the Mod thing, it's eternal for me. It's ingrained, I don't even think about it. I get a buzz going into a furniture shop - not even to buy things. Just to see the roundness or the cut or the shape of something. It's all art, you know what I mean? There's a shop down Knightsbridge way, it's all Italian furniture - it's like walking into an art gallery. And most of the decent clothes are made in Italy as well, aren't they?"
"I think my love of detail comes from the whole skinhead thing in the late Sixties, early Seventies. But even having said that, it must come down to the individual. I'm sure my contemporaries who were little skinheads at the same time as I was, if I talked to them now about the cut of a trouser, they'd be like, 'What are you on about? It's just a fashion we went through'. Which is right in some ways. But to me it meant more than that. Evidently I was looking at all those details and studying it. So I guess it was down to the individuals interpretation of what you care to see."
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